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Once I’ve synced the audio, I have a choice. Using waveforms to sync the audio from two cameras. I’m just going to open up one channel on each one of the audio tracks, because to line this up I need to be able to see my waveform (Figure 5, right).įigure 5. Then I’m going to bring down Camera 2 onto the second video track, and once again there’s my audio. Its audio track appears right underneath it.
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I’m going to leave mine as asynchronous right here because I’m just going to bring down Camera 1 onto the timeline to my first video. If you have one camera that’s going around shooting something, stopping, shooting something, stopping, when you bring in all those clips from that camera, if you’re using timecode, it will place them down onto one video track and space them correctly to where they are in the exact spots that they need to be.
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If you have cameras that have free-run timecode, when they’re not recording, they’re continuing with the timecode going. I don’t have a way to sync these sources automatically, but if you have cameras that have timecode and you’re using SDI inputs (available on the Wirecast Gear 210 or 220), then you’d be able to take any number of files and be able to line them up automatically with timecode and start editing immediately.Working with this timecode feature in EDIUS has real benefits for live event producers.
Edius 6 tutorial plus#
Because I’m working with only two sources in this demo, I’ll select Two Plus Master. In the Mode pull-down menu shown in Figure 4 (right), you can see Multicam Mode, Number of Cameras, Sync Point, and Number of Cameras. Importing the footage recorded in Wirecast Once these are imported, I’m ready to use them.įigure 3. As shown in Figure 3 (right), I’m just going to grab Camera 1 and Camera 2 that I recorded in Wirecast and select Open. To import footage, I can right-click inside the bin and select Add File, or I can hit Ctrl-O, or I can just double-click with the left mouse button and it opens my browser so I can locate my footage. I can have multiple sequences, but for the sake of this demonstration we’re just going to leave it as one. EDIUS opens with my first sequence in the Bin window. The first thing I’m going to do is bring in my footage. After I do that, I just select OK to open the main EDIUS window.įigure 2. Next, I pick a resolution, and create a name for my project.
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I have some presets available for my Project Settings, all high-definition (Figure 2, right), but you can have standard definition or anything that you would like. When it first comes up, I select New Project.
Edius 6 tutorial pro#
To start EDIUS Pro 8, I double-click on the EDIUS icon. I’ve installed EDIUS directly on the Wirecast Gear, which is a very powerful computer and can handle anything that I can throw at it while editing. That’s what I’m going to be showing you in EDIUS Pro 8, which not only does all of this, but does it extremely well and very, very quickly.įigure 1.
Edius 6 tutorial software#
Here we’re going to talk about some of the reasons why you need post-production software on this piece of equipment, such as editing out a pre-show, or repurposing the content that you just got through streaming to make shorter videos for social media, or creating highlight reels from your live streams. It also records the streams, which means you can manipulate them afterwards as well. I’m working with the Wirecast Gear 110 (Figure 1, right), which comes with four HDMI inputs and allows you to ingest, live-switch, and stream four HDMI sources simultaneously.
Edius 6 tutorial how to#
In this tutorial, I’ll show you how to post-produce your live content quickly and efficiently using Grass Valley EDIUS on Wirecast Gear. From StreamingMedia by Mike Downey Mike Downey demonstrates how to post-produce your multicam content quickly and efficiently using Grass Valley EDIUS Pro 8 on Wirecast Gear.